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many about facets of Contact Improvisation
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- What is Contact Improvisation?
- Purpose of these CI Reels (Flashback)
- Qualities of a seasoned CI dancer #1
- Crossroads in CI
- The importance of spirals in CI (Flashback)
- Steve Paxton and the CI safety talk
- CI: peripheral vision and animal tracking
- Is CI performable?
- Other modalities to train for CI
- CI reflecting life
- Dancing with a CI score
- When the CI dance gets awkward
- Finding flow in CI
- Is CI an artform?
- CI and embracing the unresolved
- Fundamental skills of CI
- Falling in CI as a generous act
- A Steve Paxton story
- CI and being gobsmacked
- CI: Reading the space through your partner
- CI and what is great art?
- Learning CI through limitation
COMING SOON:
- What are we doing when we dance CI?
- Music at CI jams – a rant
- CI is a sandbox game
- My secret ideal in CI
- What does a CI teacher teach?
- Qualities of a seasoned CI dancer #4
- CI and the train of self-doubt
- Who can teach CI?
- Ways to make contact in CI
- Why do I dance CI?
- Rides on the fly in CI
- CI: the shamanic dance
- CI scores to dance with
- CI: the template of the ideal dance
- CI: multiple points of engagement
- Fears for the future of CI
- Why do you dance CI?
- CI: mastering the art of stretching time