Here is one minute of a 20 minute duet with dancers Sole Medina and Sergio Palomares Vicente. This was at the Salt Spring Island Plunge
Here is what I notice:
• The soft tone in their bodies that allows for an alive responsiveness
• The ease looking into, and entering the backspace
• Their use of hands to map their partner (rather than manipulate)
• Sole’s use of sound to communicate her current state
• They don’t seem to be putting impulses into the dance, but rather are receiving impulses from the mutual conversation
• How they don’t have “terminus stations.” They let one moment, one motion, be the seed of the next
What do you notice?
(In my book, * Dancing Deeper Still: The Practice of Contact Improvisation * I talk about seasoned C.I dancers and their terminus stations or rather lack of terminus stations)
Dancing Deeper Still is a sourcebook on Contact Improvisation. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on:
Contact Improvisation in performance
Boundaries and sexuality
Dancing while aging
Expanded teaching research notes
Whether you are the improviser who savors the slow rivers of sensation…or who delights in spontaneous acrobatics…or any of the bountiful realms in between, this book was written for you.